Some stories must also be written across the face.
Makeup expands the expressive language of each production and turns the body into a surface where ideas continue to unfold.
Its purpose is not to create characters.
It is to build atmospheres.
The concepts developed in collaboration with Robin draw on references deeply rooted in Mexican culture—such as Day of the Dead, lucha libre, and folk art—and reimagine them through fluorescent paint, black light, and contemporary techniques.
Each intervention transforms the way the stage is perceived.
MAKEUP
In Fandango Neón, the performers emerged as fluorescent calaveras that came alive under ultraviolet light, transforming the space into a celebration poised between tradition and imagination.
In Broche de Cobre, the makeup drew from the visual world of lucha libre and transformed it into a stage language alive with color and movement.
During Recuérdame Bonito, the makeup evoked figures suspended between memory and the present, reminding us that even images can enter into dialogue with what remains absent.
Every production finds the face it needs.
