Spaces tell stories, too.

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Scenography is not meant to fill the stage.

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It is meant to transform it.

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We work with lighting, textiles, objects drawn from everyday and popular culture, ephemeral installations, and participatory elements, allowing each place to enter into dialogue with the works that inhabit it.

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Whether the encounter takes place in a museum, a public square, a theater, or the street, every space has a personality of its own that reshapes the experience.

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Rather than imposing a scenography, we begin by listening to what each place has to say.

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This approach has given rise to settings as varied as the fluorescent universe of Fandango Neón, the contemporary street fair of La Ke-Kermés, the vernacular aesthetic of Toto-Naco, and the visual synthesis of Broche de Cobre.

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They are not decorations.

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They are different ways of imagining the same journey.